Opera

Only the Sound Remains

Kaija Saariaho

23 Oct, 18 - 09 Nov, 18

Musical conductor: Ivor Bolton

Stage Director: Peter Sellars

Supported by:

The Teatro Real welcomes the premiere in Spain of Only the Sound Remains, the latest opera of Kaija Saariaho, one of today’s most acclaimed composers and the 2017 recipient of theFronteras del Conocimiento de la Fundación BBVA” prize for her contribution to contemporary music. In this new production of the Teatro Real and the Opéra national de Paris, Philippe Jaroussky and Davone Tines are the symbollic protaganists of the opera, a sensorial experience with orientalist overtones. Stage Director Peter Sellars returns to the Teatro Real after his much applauded productions of Iolanta/Persephone, The Indian Queen and Tristan und Isolde.


Opera in two parts

Music by Kaija Saariaho (1952)
Libretto by Ezra Pound and Ernest Fenollosa, inspired by Japanese Noh theatre.
 
Premiered at Opera Forward Festival from De Nationale Opera & Ballet of Amsterdam on 15 March 2016

Premiere in Spain

New production by the Teatro Real, in co-production with De Nationale Opera & Ballet of Amsterdam, the Canadian Opera Company of Toronto, the Opéra National de Paris and the Finnish National Opera of Helsinki

Language

English

Subtitles in

Spanish

 

       

Synopsis of Only the Sound Remains

Always Strong

Sodzu Gyokei, a priest serving at the temple of the royal court, is praying for Tsunemasa, who died in the battle of the Western Seas. Tsunemasa was a favourite of the Emperor, who had given him a lute named Seizan (Blue Mountain). Gyokei now offers the instrument at the altar of the deceased, performing a service for the salvation of his soul. While the prayers and music for Tsunemasa to become a Buddha resonate, the faint shadow of a man appears. Gyokei asks who it is, and the shadow replies that he is the ghost of Tsunemasa, lured there by the sound of the prayers. Then the shadow vanishes and only the sound of his voice remains, telling the priest how it misses the old days. This happy moment, however, is short-lived. Tsunemasa’s ghost is tormented by visions of the battle in which he fought. He wants the lights to be extinguished and disappears.

Feather Mantle

One spring morning, as the fisherman Hakuryo sets out to go fishing with his companions, he finds a beautiful feather robe hanging on a pine branch. When he plans to take it home, a Tennin (angel) appears and asks him to return the robe to her. At first Hakuryo refuses. But he is moved by the angel’s lament that she cannot go back to heaven without it. He will give her the robe in return for seeing her perform a celestial dance. When the fisherman again expresses distrust, she responds: «Doubt is for mortals; with us there is no deceit». The Tennin dances in the feather robe; one of the dances represents the waxing and waning of the moon. Eventually she disappears in the haze beyond the peak of Mount Fuji.

Only the Sound Remains

Kaija Saariaho

application/pdf 3.57 MB

Performances

  • Date/hour
  • Space
  • Cast
  • Subscription ticket

23 October 2018

22:00

Main Auditorium

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
Subscription tickets E

26 October 2018

22:00

Main Auditorium

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
Subscription tickets Z

29 October 2018

21:00

Main Auditorium

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
Subscription tickets Y

31 October 2018

21:00

Main Auditorium

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
Subscription tickets A

05 November 2018

21:00

Main Auditorium

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
Subscription tickets B

07 November 2018

21:00

Main Auditorium

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
Subscription tickets D

09 November 2018

21:00

Main Auditorium

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
Subscription tickets F

Parallel activities

Enfoques

What's OnTeatro Real

Encuentro con los artistas de la producción. 16 de octubre, 20.15 h. Sala Gayarre. Acceso libre. Aforo limitado.

16

October

2018

20:15

En torno a Only the Sound Remains

What's OnTeatro Real

José Luis Téllez desgrana al público interesado las claves de la ópera todos los días de función, 45 minutos antes de la misma. Sala Gayarre. Aforo 

06

October

2018

Los Domingos de Cámara

What's OnTeatro Real

Concierto a cargo de los solistas de la Orquesta Titular del Teatro Real. 4 de noviembre, 12.00 h. Sala principal.

04

November

2018

12:00

Proyección

What's OnFilmoteca Española

Proyección en torno a la producción del Teatro Real. Octubre de 2018. Fecha por determinar.

06

October

2018

Encuentro

What's OnResidencia de Estudiantes

Encuentro con motivo del estreno en el Teatro Real de la ópera Only the Sound Remains de Kaija Saariaho  (1952). Libreto de Ezra Pound y Ernest Fenollosa, inspirado en el teatro noh japonés. 24 de Octubre de 2018 a las 19:00 horas.

​Participan:
Luis Gago, editor y crítico de música de Revista de Libros y crítico musical de El País.
Carlos Rubio López de la Llave, traductor y profesor de Lengua y Literatura Japonesa en la Universidad Complutense de Madrid.
Entrada gratuita. Aforo limitado. Sígalo en directo en www.edaddeplata.org

24

October

2018

19:00

Taller de encuadernación japonesa

What's OnMuseo de Artes Decorativas

El delicado arte de la sencillez: un curso práctico para aprender las técnicas de un oficio casi olvidado. 27 de octubre, 3 de noviembre, 11:30 h. Actividad gratuita dirigida a un público a partir de 16 años. Duración de 90 min. Aforo limitado. Se requiere inscripción previa a partir del 1 de octubre en el tlf. 910505755 (de lunes a viernes, de 10:00 a 14:00 h)

27

October

2018

11:30

Peter Sellars y Joan Matabosch: hablemos de ópera

What's OnInstituto Internacional

Animada charla en la que hablarán de la  multifacética carrera del creador de Pittsburgh y de su trabajo en la ópera Only the Sound Remains de Kaija Saariaho. 10 de octubre de 2018 a las 20:00 horas.

10

October

2018

20:00

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