Ópera en cinco actos que cuenta la venganza de la hechicera Medea, tras enterarse de que su marido Jasón le ha sido infiel. Gracias a su magia, su desesperación y furia, provoca la muerte de la nueva esposa de Jasón, lo cual destroza al marido, pero esto no le parece suficiente a Medea, así que decide matar a sus hijos para castigarle aún más por su infidelidad. Finalmente, Medea escapa a Atenas y Jasón se queda solo llorando su gran pérdida y la traición de su esposa.
Opera
Medea
Semi-staged concert version
Marc-Antoine Charpentier
06 Jun, 24 - 10 Jun, 24
Musical conductor: William Christie | Stage direction: Marie Lambert le Bihan | Chorus and Orchestra Les Arts Florissants

Charpentier's Medea, the second of the season after Cherubini's opener, is one of the most attractive French baroque operas and a testament to the composer's mastery of the genre. It comes from the Gallic star duo Veronique Gens and Laurent Naouri, with vivid characters, intense emotions and very powerful vocal writing. This opera became a commercial and critical success that lasted only a few months, after which it remained almost 300 years without ever being performed on another stage.
A shared characteristic between all the Medeas is that the opera requires a protagonist of enormous vocal and theatrical talent. The Medée by Marc-Antoine Charpentier is no exception to this rule, although it must be said, – in contrast to the heroine in Cherubini, a century later– the crowning moment takes place in the middle of the opera, when, emulating her predecessor, Armide, the furies of the underworld are called upon to support her in the terrible revenge.
The shadow of Lully is relentless throughout the only opera composed by Charpentier. It premiered quite unceremoniously at the Académie Royale de Musique in 1693, precisely because of the nostalgic and revered patriarchy of French music who felt disdain towards their presumed successors, especially if their music showed some sort of approval of the Italian style. The recovery of the work in modern times –accelerated by the pioneer recording directed by Nadia Boulanger in 1952– has made it, on the contrary, one of the most appreciated artistic prizes of French opera from the era of the Sun King.
Tragédie mise en musique with a prologue and five acts
Music by Marc-Antoine Charpentier (1643-1704)
Libretto by Thomas Corneille, based on the tragédie by Pierre Corneille
Premiere at the Ópera of Paris on 4 December 1693
Premiere at the Teatro Real
Semi-staged concert version
Artistic team
Musical conductor: William Christie
Stage director: Marie Lambert le Bihan
Cast
Médée: Véronique Gens
Nerine: Emmanuelle de Negri
Jason: Reinoud van Mechelen
Arcas: Lisandro Abadie
Créon: Cyril Costanzo
Oronte: Marc Mauillon
Créuse/First ghost: Ana Vieira Leite
Cléone: Élodie Fonnard
Love/First prisioner: Lucía Martín-Cartón
First Corinthian/demon: David Tricou
A Corinthian/Envy: Bastien Rimondi
An argium: Matthieu Walendzik
Italian/Second prisioner: Mariasole Mainini
A prisoner of love: Clément Debieuvre
Chorus of three prisoners of love: Juliette Perret, Julia Wischniewski, David Tricou
Revenge: Igor Bouin
Second ghost: Virginie Thomas
Three-part chorus: Maud Gnidzaz, Alice Gregorio, Bastien Rimondi
Orchestra and Chorus Les Arts Florissants
Synopsis of Medea
Releases
Protective Friend
04 March
2024Supporter and Benefactor Friend
05 March
2024Patron friends
06 March
2024Subscribers friend
07 March
2024Tickets on sale
08 March
2024Performances
- Date/hour
- Space
- Cast
- Subscription ticket
06 June 2024
19:30
Main Auditorium
08 June 2024
19:30
Main Auditorium
09 June 2024
18:00
Main Auditorium
10 June 2024
19:30
Main Auditorium
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